Category Archives: Programs

May 2013 Lucy Arai

exhibitimg.ashxLucy Arai’s sashiko pieces are a wonder to the eye. Learning the technique from her uncle, her innovative approaches combine her Japanese heritage and western art backgrounds.

Her mixed media compositions combine the Sashiko embroidery technique with paper and cotton indigo to create one of a kind works of art.

Don’t miss this evening with Lucy to hear about her process and see these amazing pieces up close and personal.

This video clip from KQED highlights Lucy’s techniques.

http://www.kqed.org/arts/programs/spark/profile.jsp?essid=17665

July program field trip to Stanford July 19th

 

Blacksheep Weavers’ Guild will be meeting on Stanford campus on Thursday, July 19th,  to see several works of art.  For those who would like to meet for supper, we will meet at 6 pm at Coupa Cafe by the Green Library:

You can see the menu and even order ahead of time here:

http://www.coupacafe.com/locations/stanford-green-library/

At 7 pm we will meet at the Green Library, 557 Escondido Mall, at the entrance by the Red Fountain, just off of Galvez, to see a tapestry called “Wordscapes” at the Green Library woven by famed Swedish weaver, Helena Hernmarck.  PLEASE BRING A PHOTO ID!

After we visit the Green Library, we will go to the new Knight Business School to look at  two outdoor exhibits by artist Peter Wegner, which have been put up recently at the (grand) new School of Business, by a man named Peter Wegner, one of which could also be called a wordscape.

It is called “Ways to Change” and is a wall of adverbs which seemingly randomly appear:
His other exhibit is a remarkable wall of color:
PARKING: Parking is free on campus after 4 pm.  There is a parking lot under the Knight School of Business, as well as off-street parking.
You can also take the Marguerite shuttle (free!) The Y bus has stops at Galvez and Serra, and also in front of the business school:

April 19th program: Polly Barton, Silk Weaver

We welcome acclaimed silk weaver Polly Barton to our April 19th guild meeting. Her website is http://www.pollybarton.com/

Her talk will be about the evolution of her work, the artists who have inspired her, and techniques she uses in her work.

Her  work is in the Sourcing the Museum show which opens this coming March 23rd at the Textile Museum.

She is also featured on the virtual tour of the National Museum of Women in the Arts. at the Textile Museum in Washington, DC. http://www.textilemuseum.org/

Watch the video of Arab Spring

May 17th: Mary Zicafoose Tapestries

We welcome renowned fiber artist Mary Zicafoose to our May 17th meeting.

For over two decades, international textile artist Mary Zicafoose has been creating tapestries and rugs that are as rich in color as they are in symbolic content. Her work is included in private and public collections that span the globe, including U.S. Embassies on three continents. The artist’ practice and processes reflect superb craftsmanship as well as her ability to articulate a brilliant contemporary vernacular based on color. Her woven pieces blend cultural icons, images and symbols with an unabashed hand, creating powerful visual statements in fiber. Zicafoose maintains a one-woman fiber studio in Omaha, NE where she lives with her family.

http://www.maryzicafoose.com/

June Raffle and Sale

Our June meeting, Thursday, June 20th will be the annual raffle and sale.  Now is the time to start looking in your stashes for wonderful items that someone else is coveting. This year we also welcome hand-woven, knitted and spun items.

March 17, 2012: Japanese Stencils

Katazome, Then and Now with Karen Illman Miller

A thorough discussion of the traditional art of Japanese stencil dyeing, with slides and examples of antique fabrics and of my own work, illustrating where it has taken a contemporary surface designer and fiber artist.

Karen Miller was born in Oakland, CA in 1946. She was a marine biologist before becoming an expert on katazome, the art of Japanese stencil dyeing. Using her own hand cut stencils to apply a resist paste she produces fabric for art quilts, as well as silk garments, linen hangings and indigo dyed cottons.Her work has been exhibited twice in Japan. She has shown her work in numerous juried and group shows. Her work was accepted to Visions 2002, In 2009 she had Oregon solo shows at the Newport Visual Arts Center, Benton County Historical Society and the Oregon Nikkei Legacy Center in Portland. She shows regularly at the Japanese Garden in Portland and Kobo in Seattle. Her work is in numerous private collections and hangs in the Washington D.C. office of Jane Lubchenco, the head of NOAA.

She has taught katazome nationally and internationally and published several articles on katazome. She was invited lecturer at the Museum of International Folk Art, Santa Fe New Mexico. She was featured on Oregon Public Broadcasting TV Oregon Art Beat in October 2007.

Karen’s website is: http://www.nautilus-fiberarts.com/

February 16th, 2012: Cameron Taylor-Brown: “How String Changed the World”

 

“How String Changed the World”

We welcome acclaimed fiber artist, Cameron Taylor-Brown to our guild meeting Thursday, February 16th, 7-9:30.

Our talk will start at 7:15, in order to be finished on time.

http://www.camerontaylor-brown.com/

Cameron is based in Los Angeles, and studied fiber arts with Ed Rossbach at UC Berkeley.

Her artwork is widely exhibited and has been published in American Craft, Fiberarts, Shuttle, Spindle and Dyepot and the Fiberarts Design Books Four, Five, Six and Seven . She travels Southern California and Arizona as the regional representative for several top yarn companies, including Rowan, Filatura de Crosa and Manos del Uruguay. An experienced teacher and facilitator, she conducts workshops throughout the country exploring design, color, creativity and the collaborative process.

Cameron Taylor-Brown was a founder of ACCESS Community Arts & Education, a consulting partnership that worked with classroom teachers and artists to make direct connections between the arts, curriculum, educational content standards and community arts experiences. Two accessARTS models, Start with Art and Arts in the City , were developed with the support of California State Charter School Grants. These classroom-tested models were disseminated throughout the state of California in 2004-5. accessARTS strategies remain central in Cameron’s approach to teaching and learning.

Supplies each guild member should bring:

2-4 small sticks – each 10-12 ” long, no more than 1/2 inch or so in diameter

about 2-3 oz of plied yarn, 800-3,000 yards per pound

a handful of un-spun fiber, any type

a handful of small rocks (each about the size of a quarter or so)

scissors

masking or duct tape

digital camera suggested

 

Anyone who has extras of any of the above supplies, please bring them.

January 2012

January 19, 2012:

Stephenie Gaustad

Will present a program on

Spinning for Weaving

cotton blossom courtesy of J. Ruane

Stephenie is an artist, designer, illustrator, weaver and experienced teacher. She has just produced a DVD on spinning cotton for Interweave Press.

Her many articles on the crafts have appeared in “Handwoven”, “Spin Off” and “Shuttle Spindle and Dyepot” magazines. Stephenie illustrated “Alden Amos’ Big Book of Handspinning”. She and her husband partner, Alden Amos, live in the foothills of the Sierra Nevada where they build textile equipment.

For more information please see  http://pweb.jps.net/~gaustad/index.html

December 2011

December, 2011: Holiday Party, Potluck and Gift Swap

Dinner setup with live music began around 6 pm, Potluck at 6:40, and a new method of running the gift-swap by means of a clever poem, so all swapping happened before any unwrapping, was a delightful success.