Bold graphic line, zig zag stripes and scalloped selvedges are striking characteristics of wedge weave. Instead of weaving perpendicular to the warp, as is usual for tapestry, wedge weave is an eccentric weaving technique where the wefts are woven at an angle to the warp. In wedge weave the patterned design and weaving structure are inextricably connected.
In her presentation Deborah will discuss the brief time when some Navajo weavers experimented with this “rouge” technique and the influence that their work and this style has had on her and other contemporary weavers. She will show images of Navajo wedge weaves and of her own work in wedge weave and that of other contemporary weavers experimenting with eccentric weft techniques.
Deborah Corsini has a lifelong passionate interest in the study of textiles, textile cultures and the making of textile art. A weaver for over 50 years she is a studio artist exhibiting her works nationally. She holds a Masters in Textiles from San Francisco State University and a B.F.A. from California College of Arts (and Crafts.) She has taught weaving and tapestry at City College of San Francisco and workshops in various textile techniques such as tablet weaving and wedge weave at the Richmond Art Center, the Mendocino Art Center, and the Conference of Northern CA Handweavers. She will be offering a workshop in wedge weave in the upcoming CNCH in 2022. Deborah has been lucky to have had two textile related careers. As the former Creative Director of P & B Textiles and a textile designer she honed her sense of color and design and appreciation of patterns both printed and woven. As the former curator of the San Jose Museum of Quilts & Textiles she gained a deeper respect and appreciation for the history of quilts and the ever-evolving contemporary fiber art scene. She is active in the community and continues her studio practice in Pacifica, CA.


































Black Sheep member Barbara Shapiro will share the productive burst of artistic output inspired by moving her studio in January 2020 and by current personal and political events. The sequestration that Covid forced upon us all brought forth lots of new work in several series. Unfinished and abandoned projects from years ago were seen with new eyes and finally finished. Newly discovered materials inspired different ways of working. And as always, Indigo colored her materials. Barbara hopes to inspire you to look at your own work in new ways as you enjoy this saga of 20-21 in her studio in the time of Covid.