People often find color in weaving to be so complicated that it feels downright mystical. But it’s not. Color in weaving follows rules, and once you understand the underlying rules, you can design beautiful work.
Painted warps are beautiful. But they can be difficult to design with. Painted-warp colors can change radically when woven, depending on your weft yarn colors and your choice of design. This program explains the basics of how color works in weaving and then covers how to choose weft, weave structure, and sett to showcase the colors of your painted warp – either by preserving the original colors or by blending them with a carefully chosen weft color to bring out their beauty.
For those who don’t know me, I’m Tien Chiu, a long-time member of Black Sheep, and the Guild webmistress. I’ve been weaving since 2006, and have had my work featured in Handwoven, Shuttle Spindle & Dyepot, and Complex Weavers Journal. My handwoven wedding ensemble won Best in Show at CNCH and is currently part of the permanent collection at The Henry Ford Museum. I teach color in weaving online, at https://www.warpandweave.com , and I take an “art science” approach to color – which is to say, I approach it in an analytical fashion, looking for underlying rules. You can read some of the articles I’ve written about color in weaving on my website: https://www.warpandweave.com/color-articles/ as well as in the most recent two issues of Shuttle Spindle & Dyepot.